Monday, March 18, 2024

Review of Year's Best Canadian Fantasy and Science Fiction

This review originally appeard in The Ottawa Review of Books January 15, 2024.

When John Robert Columbo came out with the first anthology of Canadian speculative fiction, Other Canadas, in 1979, it was the first time most of us realized that there even was a Canadian version of the genre. To cobble the collection together, however, Columbo had to scour all of history and pad the list with the likes of Cyrano de Bergerac and Jules Verne—non-Canadians who happen to have set a story in the polar north—to fill his pages. By 1985, the field had expanded sufficiently that Judith Merril was able to solicit enough contemporary Canadian SF to fill the first Tesseracts anthology.

When I co-edited the fifth Tesseract anthology over a decade later, we had over 400 submissions, and I confidently predicted further explosive growth for Canadian SF&F. The Tesseract series is now up to number 22 though the series has morphed into themed anthologies rather than a general survey of the Canadian genre. Imaginarium 2012 was the first attempt at reprinting the “Year’s Best” but the series ended with Imaginarium 4. We therefore have lacked a “Best of Canadian SF&F” series for the last eight years.

Enter Stephen Kotowych, the editor of the Year’s Best Canadian Fantasy and Science Fiction, Vol.1 (2023).

If I thought working on Tesseracts 5 was challenging, I cannot begin to imagine trying to keep on top of a field that has expanded continuously over the last thirty years. The undertaking, especially by a single individual rather than a team backed by an established publisher, is outrageously audacious. And yet, Kotowych seems to have pulled it off. With 37 entries from 24 different magazines and 6 anthologies—a total of thirty different venues—the collection is certainly a representative survey of the field. The stories range from hard science fiction through fantasy, horror, and fevered dreams to pure CanLit. Inevitably, as with any anthology, tastes differ and one might quibble whether this or that entry is the “best” Canadians have to offer, but there’s no question Kotowych has nailed the breadth of what’s out there. Story quality ranged from “solid” to “outstanding” with the overall weighting tipped heavily towards the “excellent” end. If I’m honest, I think this collection is better than the one I co-edited, a reflection of how Canadian speculative fiction has expanded and matured in the decades since.

Best of all, the collection introduced me to a number of authors with whom I had not previously been acquainted. How had I missed, for example, Suyi Davies Okungbowa? I was shocked to find a stack of novels by this University of Ottawa prof, whose “Choke” is one of the outstanding stories in the current collection. That one discovery is worth the price of the collection five times over. Although “Choke” feels as if it would be comfortable in any CanLit magazine, it originally appeared in Tor.Com, so legitimately qualifies as speculative fiction. But wow! The freshness of the phrasing, the passion of the writing, the absolute resonance of the contemporary experience just floored me. That’s six new novels added to my To-Be-Read pile right there.

Similarly, I had no idea Nebula-nominated Ai Jiang was Canadian. Her “Give me English” is a great opening to the anthology, not just because it’s a gem of a story, but because it nicely illustrates how the current generation is infusing fresh themes and viewpoints into the Canadian genre. I have banged on for years how Canadian SF differed from that of the American (and to a lesser extent, the British) mass market SF&F, but I have to concede that the (English-language) Canadian genre often lacked culturally diverse voices, beyond some influences from Quebec. Jaing’s story speaks not just to the immigrant experience, but to the post-colonial, anti-capitalist themes that have become a natural part of the SF scene. Chelsea Vovel’s “Mischif Man” story of a Métis superhero similarly takes on Settler colonialism, and Lavigne’s “Choose Your Own” is one of the best feminist pieces ever: wincingly on target.

These and the majority of the entries fit my argument that Canadian speculative fiction is oddly optimistic despite the often downbeat premises. The future is on fire in Premee Mohamed’s “All that Burns Unseen”; perpetual war and exploitation are central to Michelle Tang’s “Vihum Heal”; oppressive religion stifles life in Kate Hearfield’s “And in the Arcade”; Charlotte Ashley’s “Distant Skies” features capitalist manipulation of our destinies through genetics; Holly Schofield’s “Maximum Efficiency” has robot soldiers vs humans; KT Brysk’s “Folk Hero Motifs in Tales Told by the Dead” is set in hell, for heaven’s sake. And yet, life goes on and people (or other sentients) find a way. I love this approach of ordinary people bumbling through tough times to carve out acceptable outcomes. It is the literature we need amidst the dumpster fire we’re living through.

Reynold’s “Broken Vow: The Adventures of Flick Gibson, Intergalactic Videographer” provides some needed comic relief, and the fiction is broken up by the inclusion of nine rather good, accessible poems.

Overall, it is a great collection, a great reflection on what Canadian speculative fiction has to offer, and a great first entry in which one can only hope will continue as an annual series.

The Year’s Best Canadian Fantasy and Science Fiction Vol.1 (2023) is published by Ansible Press.

Wednesday, February 28, 2024

"The Changeling and the Bully" Reprinted

My short story, "The Changeling and the Bully" was reprinted in Polar Borealis #28, February, 2024, pp. 54-63.

Polar Borealis is available as a free PDF download from https://polarborealis.ca/wp-content/uploads/2024/02/POLAR-BOREALIS-28-January-2024.pdf

This is the origin story for my Ransom and Friends urban fantasy series. The story was originally originally published in Mythic #17, Oct, 2021, pp. 65-74.

Al/ice Reprinted

My short story "Al/ice" has been reprinted in the Queens in Wonderland anthology from No Bad Books.

The story was originally published in Shoreline of Infinity #21 (April 2021), which provided a really helpful sensitivity read.

Wednesday, February 21, 2024

Detour on the Eight-Fold Path Reprinted

My short story, "Detour on the Eight-Fold Path" has been reprinted in JayHenge's anthology, AI, ROBOT.

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The story originally appeared in Neo-Opsis Magazine #31.

Monday, January 15, 2024

Review of State of the Arc


This review originally appeared in The Ottawa Review of Books, Nov 2023.

State of the Ark: Canadian Future Fiction Edited and Introduction by Lesley Choyce
Reviewed by Robert Runté

As soon as I heard about this anthology, I knew I had to have it for my collection, because I already have Lesley Choyce’s and John Bell’s pioneering 1981 Visions from the Edge, the first anthology of speculative fiction from Atlantic Canada; and Choyce’s 1992 Ark of Ice, a now classic anthology of Canadian speculative fiction (Canada being the ark in question). State of the Ark represents the current state and range of speculative fiction in Canada 2023, including checking in with some of the same authors from the 1992 volume. It is, like its predecessors, an excellent cross-section of the Canadian speculative genre at one moment in time.

At one end of the spectrum, we have traditional space fiction: Robert Sawyer’s “Star Light, Star Bright”, is an approachable story of Dyson spheres, interstellar colonies, and good parenting. Sawyer’s stories are always about exploring the less-than-obvious implications of big scientific concepts and bringing those down to the human level. This short is an example of why Sawyer is arguably Canada’s most successful science fiction writer.

Julie E. Czerneda’s “Foster Earth” is similarly a classic first-contact story: humans trying to figure out how to communicate with The Silent with absolutely nothing to go on . . . and coincidentally, another story about great parenting. I love it!

My favourite SF story, though, is Julian Mortimer Smith’s “Read-Only Memory”, which explores near-future tech to absolutely nail contemporary attitudes and relationships. I’m definitely going to have to hunt down more of Smith’s work.

Jeremy Hull’s “Bright Future” covers the similar ground of virtual technology and relationships, but this time from a parenting angle (hmm, starting to see a trend here). C.J. Lavigne’s “Side Effects May Include” is a sharply Canadian take on medical tech’s relationship with late-stage capitalism.

Other more or less traditional SF entries included Spider Robinson’s story of slow interstellar travel; John Park’s “Hammerhead” other-world colonization; Terri Favro’s “Winter Pilgrimage of the Storytellers”, a multi-world portal novel; and Hugh A.D. Spencer’s “Shoebox or The End of Civilization in Five Objects or Less”, a delightful satire of pompous museum staff, the ill-treatment of freelances, and the comeuppance Spencer (himself, a museum consultant) would wish upon them. Greg Bechtel’s “2115: Notes Toward Nine Stories of the Future” examines recent articles to project nine mutually exclusive punchlines for future fiction.

At the other end of the spectrum, we have the stories that lean heavily into CanLit, like Katherine Govier’s “VIXEN, SWAN, EMU, BEAR”. I really enjoyed her writing which connected each totem to moments in the narrator’s relationships. This story could comfortably have found a home in any Canadian literary journal. If anything, I questioned whether the speculative element was a bit thin, really only appearing in the last page—it felt a little tacked on. I was, therefore, not entirely surprised to read in her bio that the story had indeed originally appeared in Exile Literary Quarterly and the ending was added for this volume. I am not complaining though! It’s a marvelous piece of writing, and I am always appreciative that our best literary writers are open to stepping across genre lines, which elsewhere are often considered impenetrable. The number and influence of Canadian literary writers crossing over into speculative fiction is one reason our version of the genre is distinct from the mass market American version.

Between these two poles are stories that blur the line between literary and speculative genres.

Élisabeth Vonarburg’s “Terminus” is a parallel world story, but mostly about relationships, identity and self-worth. Casey June Wolf’s “Substance. Light” works some of the same themes, but with an even more poetic bent. Both allude to suicide (so: trigger warning).

Candas Jane Dorsey’s “The Card is the World” a dark--or maybe darkly funny--story plays with literary structure to deliver a commentary on science, suits, and--inevitably--relationships. (And almost as an aside, the invisibility of older women.) Tim Wynne-Jones’ “Eternity Leave” has flying saucers, but it is really a story about imagination, the literary life, and a beautiful day. The story nicely balances literal narrative and Wynne-Jones’ whimsical style.

Lesley Choyce’s own “Tantramar: A Love Story in a Time of Crisis” is either speculative fiction if we believe the characters, Canlit if they are delusional. It could go either way, but it works as a love story, so is categorization important?

I judge The State of the Ark an accurate presentation of current trends in the genre. Old writers and new are both represented, the new bringing a hopefully growing diversity of voices. There is an underlying optimism running through all these stories, even the dystopian ones, which is perhaps new. The collection as a whole is more literary than idea-driven, more about the writing than story-telling, which I would argue reflects the growing maturity of the speculative genre overall, even beyond Canada. Better yet, the majority of the stories here straddle these divides to combine the best of both CanLit and SF. There is room for both space ships and poetic language in Canadian speculative fiction, and even the straight-forward SF all has an identifiable Canadian slant to it.

The State of the Ark is a ‘must-have’ for anyone wondering what Canadian future fiction fares these days.

The State of the Ark is published by Pottersfield Press, 2023.

Friday, December 29, 2023

Ransom and the Open Window Reprinted

My short story, "Ransom and the Open Window" has been reprinted in Neo-Opsis Magazine #35. It is the third story in my Ransom and Friends urban fantasy series, but was the first to be published, back in 2019, in First Line Literary Journal.

Wednesday, November 01, 2023

Fami's Watch Reprinted

Australia's Antipodean SF #301 (Nov 1, 2023) has reprinted my flash story "Fami's Watch", which originally appeared in Polar Borealis #20, Dec 2021.

(Photo: actual "Never Ending Time Electronic Braclet" from Techwear -- about $42 CND. Does not come with AI personality.)

Thursday, October 26, 2023

"Misdial" Published in Flash Fiction Online

My flash story, "Misdial",is up today at Manawaka Studios, Flash Fiction Podcast.

The story originally appeared in Active Voice/Voix active, the Editors Canada newsletter, Spring/Summer, 2019, and reprinted in Metastellar March 8, 2021.

Wednesday, October 25, 2023

Three Drabbles Published

Issue #63 of Sirens Call is out today and contains three of my drabbles (p.334): "The Family Home" (original to this issue) and two reprints: "Staked to the Stars" originally published by Microfiction Monday and "Spellcheck" originally published by ScribesMicro. Siren's Call is free to download:http://www.sirenscallpublications.com/pdfs/SirensCallEZine_Halloween2023.pdf #63 is the Halloween issue.

Monday, October 23, 2023

Guest of Honour Speech Re-Podcast

I've just noticed that When Words Collide republished an excerpt from my 2016 Keynote on their August "Collision Reconstructed" podcast. https://whenwordscollide.libsyn.com/2023-006-collision-reconstruction-life-hacks
I'm not entirely sure how my curmudgeonly opening qualifies as a "Life-hack" but still happy to be included along with Jack Whyte and Leanne Shirtliffle. (The rest of my speech was hopefully more positive than this excerpt...my concluding prognosis was that things were actually pretty good for the long term. Original, complete speech here: https://whenwordscollide.libsyn.com/2016-004-goh-robert-runte )

Sunday, October 15, 2023

New Drabble Published

My drabble, "Cabin Fever" was published in Fairfield ScribesMicro #34. This was their contest issue, and my story received an honourable mention. You have to scroll down to find my story, but the winners are well worth reading. (I particularly related to the 1st-place winner. A nice summation of what I was trying to do in my short story, "Time in the Garden" in Lamp Lit Underground Vol. 6, (2021) pp. 8-12.)

Saturday, September 30, 2023

The Bad Day Book Published

The Bad Day Book (Vol.1) is up on Amazon.ca today. I have two (hopefully humorous) flash memoir pieces in this volume: "The Lecture" and "Of Mice and Cannibals". The ebook version is on sale this week for $6.73 CND ($4.00 US) but will be double that next week.

My writer friends might want to note that there are many more volumes planned for the future (assuming always this one sells, but it's the sort of book one could see being sold at Costco or Walmart, so I'm assuming they will be a go.) The contract is very similar to the rights Chicken Soup of the Soul asks for, so that may disqualify the market for some writers, but they do accept old blog posts, which gives these pieces a significantly larger audience than the 7 people subscribed to my blog. The editor, Amilee Weaver Selfridge, is a delight to work with.

Tuesday, September 26, 2023

Fami's Dissertation Defense Republished

My flash fiction, "Fami's Dissertation Defense", has been reprinted in Polar Borealis #26, out this week. Polar Borealis is available free for download as a PDF, the story starts on page 42.

[The story originally appeared in Ripples in Space Magazine (which appears to have been inactive since 2020)].