





I liked the bike racks available on Honolulu streets -- Kasia is climbing this one. (Note that I was using a new camera and hadn't figured out how to set the date stamp properly. Not sure why it thought it was August.)
And still had trouble with concept of hotel lobby without walls...birds flying through overhead...



Mary and Tigana going into shark cage somewhere off the northern coast of Oahu.
Once settled in on the 34th floor of one of the towers of the Hilton Hawaiian village, we went down to the beach. I was greatly surprised that the beach wasn’t more crowded. I had always assumed that hotel beachfront at these resorts were a cheek by jowl kind of set up, but that wasn’t the case at all. There were certainly people about, but it was a lot easier finding a nice spot for ourselves here than on, say, the beach at Park Lake just outside of Lethbridge, and believe me, the ocean at Waikiki is a hell of a lot more impressive than our local lake.
After a day at Polynesian Cultural Center, took the day off for just swimming on the beach. Here Kasia tries out swimming with Mom. Tigana also tried snorkeling for the first time, and using a boogie board.
Tigana and I watched the sunset on the beach while a short distance away, a group of tourists were an annoying distraction with their flash cameras. At first I thought they were stupidly trying to use their flash to illuminate the entire beach as the sun set, but as we watched more closely we realized that they were in fact taking pictures of each other on sitting on a bench. Tigana and I were astounded that they shot picture after picture of each other against the blank wall of the hotel. The resulting pictures could have been from anywhere -- a bench and a blank white wall -- while facing the other direction was picture postcard Hawaii. What are we missing here? You travel halfway around the world to NOT take your picture on the beach? Very very odd.
Kids met Santa at a surfer
beach in North Oahu...the local community had just won a long campaign to preserve the shore district from further development and were celebrating with a Santa parade.
a Kasia-eye view of Oahu
We arrived at the center shortly after it opened, found our way to the right line up for our pre-booked tour. We were expecting the tour guide to escort us around on a 45-minute or hour-long overview of the facility, and then let us take in particular exhibits at our leisure as our inclinations and the kid’s patience allowed. But it turned out our small tour group (less then ten people per group) stayed together for the next six hours! The guide made sure we reached each exhibit at the precise moment the demonstrations for that exhibit were scheduled, got us seated in the best seats, and on several occasions, got us involved up on stage. At the conclusion of the six-hour tour, we were deposited at an excellent dinning room for– supper and then a two-hour show. It was a pretty sweet deal.
I was constantly impressed by the scale of the facility, it’s very high staffing ratios, and the overall quality. Every exhibit seemed to involve at least half a dozen dancers or warriors or drummers or whatever, and often much larger casts, and every “island” had its own shops, interpreters etc.
The shows were often very good, my favorite being the Samoan, a one-man show by the muscular gentleman shown here who was very funny as well as informative. He demonstrated how islanders made fire (in about 4 seconds compared to the “two weeks” or “never managed it” typical of North Americans in the Survivor series) and how to crack open and milk a coconut; a younger assistant demonstrated how to retrieve a coconut from the tree. All accompanied by a very funny running dialog. Great stuff!
I did, after six hours or so, grow a bit bored with yet another set of island dancers. Although not wishing to denigrate the importance of dancing in Polynesian cultures, there is more to a culture than dancing and drumming, and I would have liked to have seen more information on other aspects of the culture. There were, to be fair, some printed displays here and there that I was unable to access as the tour moved to the next exhibit, and one or two of the interpreters did mention other aspects in passing, but the visual appeal of the dances make them just too easy to emphasize. It’s what the Decore Report labeled ‘the dancing minority trick’ in its analysis of Alberta Social Studies materials, complaining that showing a minority member in traditional clothing and dancing is the easiest visual to add to a textbook, but it has the unfortunate cumulative effect of convincing Grade 6 students that all minorities are defined by weird clothes and dances, and when you come right down to it, why bother preserving those. The subtler and more profound cultural differences concerning, say, the nature of time, the different conceptions of ‘family’ or ‘honor’ or ‘property’ tend to get short shift in such treatments.
That one cravat notwithstanding, the day was a huge success. To our great surprise, it maintained even four-year-old Kasia’s interest throughout, her only falling asleep briefly during the evening dance extravaganza, but even there, coming awake again for the astounding and (slapstick funny) fire knife dances. We were on site for almost 11 straight hours, and thoroughly enjoyed every moment.




