I still worry about Trump as 'leader of the freeworld' though. His wanting to make America great means making the rest of us less great.... And as Republican comedian P.J. O'Rourke said, "I have to endorse Hillary because, while she is the second worst thing that could happen to America, at least she won't blow the world up. You can't let Trump have access to the briefcase with the launch codes. That would be like giving your teenage boys the key to the liquor cabinet and then leaving them alone at home for the weekend." (or words to that effect--quoting from memory)
Tuesday, May 10, 2016
Best Analysis of Donald Trump Yet
Friday, May 06, 2016
Ian Adam's The Trudeau Papers Re-Evaluated.
The basic plot was that America had invaded Canada in response to the newly elected NDP government in Ottawa trying to raise the price on Canadian natural resources going to the US, and possibly cutting the US off entirely to meet Canadian demand. The book follows a small band of resistance fighters. Canada as Viet Nam.
The title, our narrator tells us, was a reference to one of Canada's last elected Prime Ministers before the invasion. When the novel came out in 1971, we all assumed the author meant Pierre Elliott Trudeau, and the book was a 'contemporary political thriller'. But clearly, Ian Adams was in fact writing predictive speculative fiction. The title was actually a prescient reference to Justin Trudeau as one of the last elected Canadian PMs. The novel seemed pretty far-fetched in 1971; but with Trump running for President of the US, and American running out of water... Yeah, maybe time to dig out an old copy of the "Trudeau Papers", dust it off, and have another read....
Wednesday, April 27, 2016
Strangers Among Us Anthology

Got my contributor's copy of Strangers Among Us in the mail yesterday. Pretty pleased with the production values, and the company I am keeping in this anthology.
The anthology will be officially launched at When Words Collide Festival in Calgary August 12-14, 2016 (at which, coincidentally, I am Editor Guest. I'm told as Editor Guest I get to do a 15 minute reading, so will have to see if I can maybe read this one..though it might be a little long.)
Tuesday, March 08, 2016
Quote of the Month
Thursday, March 03, 2016
My Last Class

Today was the exam for my last official class, ever. (Well, I might teach some other courses as a sessional instructor after retirement...but this was my last class as faculty member.)
It was a great cohort, one of the most collegial and hard working, and very smart. Lots of very insightful discussion, comments that previous classes had never come up with on those topics. So a very positive note for me to end on.
Wednesday, January 13, 2016
The Zen of Comedy
Interviewed by Nate Hendley
What motivates you to write? Is it the promise of money, fame, power, recognition, self-fulfillment or something else?
I’d have to say that in my case, it’s “something else”.
...
In terms of my own writing, my motivation can be largely summed up as the Zen of Comedy: The principle that nothing so bad can happen to one that it can’t later be turned into a funny anecdote. As a writer, everything that happens to me becomes fodder for my writing. Even the most mundane visit to the dentist or annoying encounter with a bureaucratic clerk can be magically transmuted (thanks to judicious editing) into heroic journeys, righteous battles, and gleeful victories, the better to entertain my readers. Consequently, whereas others often seem to go through life as mere sleepwalkers, the writer remains sharply attuned to his/her environment, ever alert to the detail of plot and character, the possibilities of imagery and metaphor, as we seek to turn our lives into life stories. In imposing a narrative structure on our lives, we heighten our attention to foreshadowing and significance, and in so doing, are often able to anticipate decisions and to find meaning in situations that others may experience as unexpected or soul-destroying. Just as a reader I can almost always see that next plot twist coming, as I write my life, a lot of things become clearer than might otherwise have been the case.
Second, knowing that whatever happens I’m going to get a good story out of it often helps to place my current difficulties into perspective. I learned this principle from Karl Johanson, the editor of Neo-opsis magazine. Listening to his hilarious account of traveling through the mountains to attend the convention where I first met him, I interrupted to ask him why his misadventures hadn’t led him to turn back. “Are you kidding?” he asked. “Even as I watched our van roll down the hill and over the cliff, I knew it would make a great story, and I’d be able to come here and keep you lot in stitches for an hour. And nobody was hurt, so what the hell? And when you stop to think about it, the way it happened, it really was very funny!”
That’s the point, of course. As a writer, one always does stop to think about it, to see the humour in any situation, more or less as it is happening. Karl is one of the most laid back and together people I know, and I can’t help thinking that this is due at least in part to his also being one of the best satirists publishing today. Ever since meeting Karl, I’ve realized that the bastards could never get me down again, because as a humorist, sweet revenge is always but a pen stroke away.
Third, in editing one’s autobiography one is in large measure editing one’s real life. This is hard to explain to someone who isn’t a humorist, but the thing of it is, once one has written up some troublesome incident as an amusing anecdote, there is a strong tendency to remember the anecdote rather than the actual incident. Remember that boring job that sucked the life out of you for the eighteen months you stood it? Out of that whole period there were maybe two funny things that happened—but if those were the two incidents you wrote up in your novel, ten years from now, that’s what you’d remember about that job. And since one is one’s memories, one can effectively edit one’s life to make it way better than it actually was.
Thus, as a writer I’m able to find meaning in the meaningless day-to-day trivia of modern life; can adopt the stance of ironic observer where others would cast themselves as victim; and instead of the alienation that has become the norm in our society, I am afforded a Zen-like detachment.
And all that comes out of the act of writing itself. With the subsequent publication and distribution of my essays to an audience, I collect the added bonus of being able to create a community of readers and correspondents. Who doesn’t feel better about their life when given a sympathetic ear? As a zine publisher, I had a ready-made audience, a veritable convention of barmen to listen patiently and perhaps offer the occasional “Got that right, buddy!” As five or 10 or 50 of my readers responded with relevant anecdotes of their own, and as I excerpted the best of these for publication in the next issue of my zine, we together created the community, identity, and meaning that might otherwise have been lacking in our everyday lives.
I suppose that could be mistaken for seeking fame or reputation, but I was writing for a relatively small readership, so it’s really not the same. It’s not so much seeking fame, of wanting to be a household name, as of just having an audience. I think everyone needs an audience, someone who is interested in what they have to say, even if it’s only their dog. Otherwise, what’s the point of getting up in the morning if no one notices you’re there? Having a loyal readership goes a long way to filling that need.
(Nate Hendley is the Toronto-based author of Motivate to Create: A Guide for Writers and authors. He has also written numerous other books, primarily in the true-crime genre.)
Tuesday, November 24, 2015
Pending Publication

Happy to announce my story "Age of Miracles" is included in Strangers Among Us - Tales of the Underdogs and Outcasts, edited by Susan Forest and Lukas Law. The anthology "xplores the delicate balance between mental health and mental illness through short speculative fiction". Other authors include such big names as Lorina Stephens (my publisher/boss at Five Rivers!) Hayden Trenholm (author, and publisher at Bundoran Books), Gemma Files, A. M Dellamonica, Edward Willett, Suzanne Church, Ursula Pflug (to whom I've sold stories for both her anthologies), Sherry Peters, Derwin Mak, Erica Holt and a bunch of others with whom I am as yet unfamiliar...but looking forward to reading in this anthology. Looks to be a pretty fascinating reading! Introduction by Julie E. Czerneda
The anthology is also a fund raiser for the Canadian Mental Health Association.
I had a lot of fun writing my story for this anthology, and I immodestly think "Age of Miracles" one of my better stories so far. The anthology will be officially launched August 8, 2016 at When Words Collide Festival in Calgary (at which, coincidentally, I am Editor Guest. I'm told as Editor Guest I get to do a 15 minute reading, so will have to see if I can maybe read this one. Either that, or something that I am writing next August.)
Thursday, November 19, 2015
Recent Publications

I was very pleased to have my story, "Hacker Chess" included in the original anthology, Playground of Lost Toys edited by Colleen Anderson and Ursula Plug (cover above) and then almost simultaneously, reprinted in Exile Literary Quarterly (cover below). The anthology is terrific, with stories by Candas Jane Dorsey, Linda DeMeulemeester, Claude Lalumière, Kate Story and Melissa Yuan-Innes and sixteen others. I haven't gotten my copy yet, but I heard Lalumiere, Story, and Yan-Innes read at a pre-launch party at he Conference on Canadian Content in Speculative Arts and Literature (Ottawa, Oct 31) and their stories blew me away.
Friday, June 05, 2015
Daily Comics
or are emailed to me directly from their creators site's:
I love Savage Chickens the best--cartoons about work and life featuring chickens drawn on yellow sticky notes. I end up pinning about 50% of these for use in class, or just 'cause. So great. Highest 'hit' rate of any of them. Based in Vancouver.
Wrong Hands is mostly word play, and frequently brilliant, he only posts when he thinks of something, so irregular. Great when he does. Based in Ottawa

Cul de Sac was a complete surprise, recommended to me by a stranger (which inspired me to do my own reviews here). It took a little while to get into it because individual strips are not necessarily that hilarious, but once you're following it, there is a cumulative effect so that I have come to love the characters. Kind of a modern Peanuts--but with more realistic kids and occasional appearance of actual adults. Highly recommended.

Stone Soup is pure soap, but I love it. Again, have to give it a little time to get caught up in the story and the characters, but charming and optimistic and humorous. Delightful.

Ballard Street, again, a very high hit rate in spite of being just totally eccentric: everyday starting points of neighbours who are not quite right, psychologically speaking.

Betty was a spinoff/revampng of a strip that started in the Edmonton Journal decades ago. Funny family strip with many daily insights.

Frazz is about a school janitor and his relationship to the kids and teachers in the school. Always pleasant, but I often find school-related content I can use in class.

Zack Hill is about a kid and his dog and the boarding house his mother runs. The cast of characters in the boarding house are often interesting, the commentary by the dog is often funny, and Zack's adventures at school are often something I can use in class.
Fox Trot, Pearls Before Swine, Calvin and Hobbs will already be familiar to everyone. The others are all singe-frame cartoons with various levels of nonsense.

A typical Bliss cartoon.
Reading the comics gives me a minute to compose myself before standing up, since I usually read them on my phone email, directly after turning of the phone wake up alarm. Better thing to start with, much less depressing, than the "to do" list.
Wednesday, May 06, 2015
Orange Crush
1905–1921 Alberta Liberal Party
1921–1935 United Farmers of Alberta
1935–1971 Social Credit Party of Alberta
1971–2015 Alberta Progressive Conservatives
2015-present Alberta NDP
So, following the trend, NDP in power to about what, 2065?
Fascinating to see Prentice abandon his seat immediately upon realizing he couldn't be premier anymore. Shows he was never interested in representing that riding, never interested in advocating for deeply held beliefs, just interested in the top job. Completely irresponsible flight from his responsibilities. Foisting the cost of yet another byelection on his followers. Slap in face of PC volunteers in that district--would not want to be the PC guy who has to run there next.
Fascinating to that his exit speech was all about how none of it was his fault. "No one expected a drop in oil prices, no one expected 50,000 job lost as a result, no one expected..." Yeah, he expected to be parachuted into top job and to run a province effortlessly. It was mean of us to expect some actual leadership, for him to actually have to do something more helpful and constructive than to save a few million by cutting the charity tax deduction. Mindboggling hubris. Alberta may be way right wing, but the thing about right-wingers is, hubris does not sit well with them. Under another leader, the PCs might well have slipped a bit in the election, but it takes a real effort for a party so entrenched to collapse this far in one go.
Lethbridge Food Show (Review)

The 1st Annual Lethbridge Food Show: the food wars arena
Well, that was good.
The first Lethbridge Food Show was not the first of its kind in Lethbridge--in fact, the field is getting a little crowded. 5th on 5th has been running a Taste of Lethbridge as a fund-raiser for several years, and it has been a huge success--it runs in April. More recently, the Galt Museum has been running A Taste of Downtown, which also runs in May. It was sufficiently successful that it sold out before I could get tickets. So hoping that this new commercial version doesn't compete to the point where it hurts either of those charities, but there's probably room for this one too. But maybe a little coordination to spread themselves out across the calendar wouldn't hurt.
This one was reasonably well organized, and had a number of added features that appeal.
First, the venue allowed for actual food trucks to participate, in addition to the usual spread of tables. Nice to know Lethbridge has some food trucks these days!
Second, the food was really good. That's kind of important. We spent $60 for the two of us which is roughly what a good meal costs, and we feel we got our money's worth sampling this and that till stuffed. What I like about sampling is the opportunity to discover new places in town. Who knew that there was an excellent chef (Chef Express) renting the kitchen at the Legion? I loved his butter chicken fusion dish--butter chicken adapted, he said, for white guys. (*Laughs*) But I have to confess I am less interested in authentic than in yummy, and his butter chicken was creamy goodness! The chocolate coated bacon also dangerously good, though obviously a gimmick. Other food highlight: deep fried pumpkin pie. Seriously amazing. But a number of really good resturants were featured, though I didn't bother sampling those from places we eat regularly. I could see the food show growing much larger, given the success of this initial outing, and can think of several places that weren't represented that might well do well (like our Korean place) were they to participate. So lots of room for growth there, but already worth the price of admission.
Third, having a big name guest Chef -- in this instance, David Adjey-- was kind of cool idea. Comes across a little different in person, so that was interesting.
Fourth, Lethbridge Chef Wars was good idea, though implementation needs to be refined a bit. The idea of doing a live, local version of Chopped TV show has definite potential, and the set up was excellent - photo shows the large arena space dedicated to it, with three quite generous cooking stations laid out, judges table, and etc., and a camera guy running from table to table, projecting cooks and their dishes up on two giant screens. That was handled quite well. The tiny problems were the sound system was echo-y so that it was often difficult to make out what the judges were saying, and there were very long periods were contestants were cooking without any commentary...TV generates excitement by having a host narrating the battle, constantly commenting on chef's choices, progress and techniques, etc., so long silent stretches sapped a lot of the energy out of the thing. Not sure if that was inexperience on part of MC/host, or whether they'd given up on the sound system. Minor fixes, though, so we'll see what happens next time.
Fifth, looked like a good size beer garden, but being a non-drinker I didn't check out the displays there.
Sixth, child-friendly! Kids under 12 free admission, so that allows for some families to get out, parents to participate, that might not otherwise be able to get to the 'Taste of' events. Ice sculpting events and food likely to appeal to kids too.
Overall, I'm a satisfied customer, saying congratulations to the chef from the Italian Canadian Club who organized it all, and hope it really does become an annual event.
Wednesday, November 05, 2014
NaNoWriMo 2014
(Graph should update itself until end of November.)
Wednesday, October 22, 2014
Game Changer? Only if we let it be.
One of the first topics that caught my attention back when I started out choosing between sociology and political science was terrorism. I read a lot of the writings of the early anarchists and was fascinated by the conscious, explicit manipulation of mainstream culture through the application of tiny acts of terror. For the anarchists, the purpose of terror is to trigger an over reaction that makes the oppressive apparatus of the state visible to the majority. Thus, one idiot with explosives in his shoes leads to everyone having to take their shoes off in American airports for the next five decades. Does this measure really make us safer? It certainly doesn't make us feel safer. On the contrary, it makes everyone feel more nervous. So, score huge one for the terrorists. What the coverage of terrorists seems to miss, is the changes the media is advocating for are the changes the terrorist set out to trigger. Politicians like to say they don't negotiate with terrorists; but what they don't say is they cave completely and do exactly what the terrorist scripted for the politicians.
Or, if one tends towards the cynical, one could argue that (small c) conservative policy-makers have wanted to beef up security and cut down on democratic traditions for a long time, and simply use these incidents to forward their own agendas. Naomi Klien's "The Shock Doctrine: Disaster Capitalism" outlines a number of case studies. Attempts to use this incident to forward a conservative agenda must be vigorously resisted. Up until this week, there have been two political assassinations in all of Canadian history. If we count the two Canadian soldiers killed this week in that category, that brings the total to 4 in 200 years. I don't think that requires us to change to an American-style defensive posture just yet. And, I would like to note that the police / security response on Parliament Hill today was exemplary. If that is the best the terrorists can do, we have nothing to worry about. Our guys won handily.
Another thing that bugs me about the coverage of the Parliament Hill /Quebec shootings is the recriminations over why our security establishment hadn't discovered and stopped the plot ahead of time. Really? Short of hiring only telepaths for the job, how the hell were they supposed to have stopped it ahead of time? Short of arresting everyone who ever read an IS Facebook post or attended a Mosque? (Assuming these were IS supporters...early days yet on the full story). Two soldiers are killed, and I hear reporters calling for the allocation of massive resources to security establishment to allow them 24/7 monitoring of minorities so that they can, in the words of one reporter, "preemptively arrest" individuals the police think might someday do something. Head::Desk. Yeah, let's constantly monitor everyone everywhere to prevent the future deaths of another couple of soldiers in uniform...but no one seems very interested in dealing with domestic violence that kills at least one Canadian woman every week. Or the even less well recognized problem of domestic violence against men. You want to monitor assholes, then start with the statistically significant problem of domestic violence, or missing aboriginal women, or elder abuse, or whatever, not the vanishingly small problem of domestic terrorism. A Canadian soldier is twice as likely to be hit by lightening then killed by a terrorist attack in Canada.
Wednesday, October 08, 2014
Aurora Award 2014

All this year's winners (front) and presenters (backrow).

My turn to present: Rich Leblanc accepting on behalf of On Spec Magazine

Legendary author William Gibson, who was inducted into the Canadian Science Fiction and Fantasy Association Hall of Fame (along with Spider and Jeanne Robinson; Spider is second from right in first photo) and me, showing off my Aurora Award.
Another highlight of the Aurora Awards ceremony (presented this year at V-Con 39 in Vancouver) was when Al Harlow (Lead singer for Prism) presented the Aurora Award for Music, which went to Chris Hadfield for his performance of Space Oddity — in, you know, space. Thought getting Al Harlow as presenter was pretty cool.
Also glad to see Frank Johnson (in tux in middle of first photo) receive recognition for his trophy design and 23 years of making them for the Association. I often felt that the trophy's unique design significantly added to how seriously people take these awards —makes it really worth getting one.
Friday, September 19, 2014
Writing After Retirement
The other 26 chapters in the collection are filled with tips on how to write by successful authors from across a variety of genres and communities. Together, they provide a pretty realistic portrayal of the challenges / obstacles aspiring writers face. This collection is aimed at writers starting after retirement, but most of the advice would be applicable to everyone.




